Hans Makart’s Technicolor Dream House: Decoration and Subjectivity in Nineteenth-Century Vienna

Eric Anderson

Understanding the Viennese artist Hans Makart’s studio requires looking beyond style to matters of science and commerce, subjectivity and power. 

The Birth of the Archaeological Vision: From Antiquaries to Archaeologists

Alain Schnapp

Since the middle of the nineteenth century, archaeology has been firmly established as a specific way of exploring the past. So where, then, is the dividing line between history and archaeology?

Threats and Promises: The Marketing and Promotion of Electric Lighting to Women in the United States, 1880s-1960s

Margaret Maile Petty

Examining the development of a specific gendered discourse driven by the electrical industry that united key beliefs about feminine beauty, identity, and the domestic interior.

From the Arsenal to the Laboratory (1928) by Aby Warburg

Introduction by Claudia Wedepohl; Translated by Christopher D. Johnson

An unusual firsthand account of the origins of the distinct approach to the history of images developed by Aby Warburg.

Notes from the Field

Exhibition Notes
Beyond Words: Illuminated Manuscripts in Boston Collections
Jane Whitehead

While hunting for rare volumes on vacation in Venice in 1890, the art collector Isabella Stewart Gardner (1840–1924) discovered a French sixteenth-century manuscript book of hours illuminated with exquisite miniature paintings. The artist was unknown at the time, but Mrs. Gardner knew quality when she saw it. 

Exhibition Notes
Found: An Exhibition Curated by Cornelia Parker
Ivan Gaskell

William Hogarth was a founding governor of the Foundling Hospital, chartered in 1739, and his example ensured the commitment of leading artists to “Ornamenting this Hospital.” The Hogarth Fellowship commemorates their involvement.

Exhibition Notes
Krieg: eine archäologische Spurensuche
Ivan Gaskell

A tangle of human skeletons embedded in a soil matrix presented vertically in a gun metal grey case well over twenty feet high dominates the entrance to this exhibition on the archaeology of war. The bones and skulls, many of them open-mouthed as though caught in a last agony, seem about to tumble onto the viewer standing beneath.

Exhibition Notes
Brandbilder: Kunstwerke als Zeugen des Zweiten Weltkriegs
Ivan Gaskell

When does an artwork become so compromised by damage or deterioration beyond the power of conservators to restore that it loses its artwork character? Can such a damaged thing acquire non-art aesthetic characteristics that compensate, in some sense, for the losses of those aesthetic characteristics it had as an artwork?

Exhibition Notes
After Midnight: Indian Modernism to Contemporary India, 1947/1997
Ivan Gaskell

Arshiya Lokhandwala, independent curator and founder of the Lakeeren Gallery in Mumbai, has assembled a fascinating exhibition in two complementary parts that offers visitors to the Queens Museum in Flushing’s Corona Park a selective crash course in Indian art from independence to the present.